Let’s just get this out of the way: Ballerina isn’t breaking any storytelling records. If you’re expecting some kind of Tarantino-esque plot twist buffet, go back to Netflix and cry into your lukewarm IPA.

But if you want to see a graceful, deadly, Cuban hurricane of violence whip her way through the gritty neon-lit underbelly of the John Wick universe, Ballerina delivers with the precision of a SEAL sniper and the artistic flair of a ballerina drop-kicking you through a pane of stained glass.

Plot? Meh. Violence? Oh yeah, and let’s face it, that’s what you’re here for.

Yeah, the plot is thinner than a vegan’s skin at a Texas pig roast. Something-something revenge, secret organizations, family trauma—blah blah. You’re not here for Shakespeare, you’re here to watch Ana de Armas turn into a one-woman wrecking crew with the poise of a prima ballerina and the brutality of a ticked-off honey badger with a custom Glock.

She’s not just dipping her toes into the “bad girl” pool—she cannonballs into it, shotgun-first, and lights the damn water on fire. This isn’t Atomic Blonde with training wheels. This is ballet with blood. Graceful brutality. Death in pirouette form.

Ballerina

A Navy SEAL hat tip for the attention to detail in the weapons choreography—every reload, every jam clear, every headshot is a sweet, violent lullaby, and this is something I personally can respect in so many movies that get it wrong.

John Wick Tie-ins: More Than Just Fan Service

If you’re a Wick fan (I’m new to the Wick game), this movie must be like finding a secret compartment in your Bugatti that holds an extra bottle of Blue label and a suppressed MP5 room broom.